Posts

00043: INTRODUCING MODERNA SUSPIROS

Image
The poster And so it came to past, after a pandemic, several setbacks, challenges, injuries, and personal matters that Moderna Suspiros finally made it to the stage.   "Lo tuyo es puro teatro" The show only had two showings but there were beautiful, fun, exciting, and filled with an audience that laughed, cried, and ate bonbons.  "If you don't know, Google it!" Why two showings? Because it was part of my sabbatical proposal so it needed to be done to fulfill such promise.  "I'm your hostess" Those who saw the show love it, those who didn't see it, wished they could have (or so I've been told.) "Y la noche era de lentejuelas" And I couldn't done it without the help of the Drama Department, and those working behind the scenes!  Thank you! The playwright/actor, The Director, The Crew! And there are plans to have Moderna Suspiros travel and share her wisdom. Those plans are in the making. More posts about it will be coming. All ma...

OOO42: WE'RE BAAAAACK!

Image
  That's right! After a six-month absence, the director and I are reuniting to make sure the production of INTRODUCING MODERNA SUSPIROS: A Fable Based on True Event... We Think takes place. Yes, it has been a long way coming and lots of things have happened. The director, for example, who was scheduled to arrive two days before our week of rehearsals will now be arriving two days later-something to do with a faculty strike in his institution.   And then we have the issue with my ankle. The ankle, which still  hurts, but it is doing much, much better, may or may not be ready for high heels. The doctor put me on a boot for almost a month. Then I got cortisone injections, two of them, because my tendon and my nerve were damage, or are damage. I don't know any more.  Have the shots worked? To a certain extend, yes. I'm able to move a little faster; I'm able to walk a little longer; I'm able to see that my foot is no longer swollen. Those are the good things. The ba...

00041: INJURIES!!!!

Image
  Wear heels they said! You will look good in heels they said! It's easy they said! And yes, it is fun to wear heels, but if you are a person who isn't used to wearing heels and suddenly you have to wear heels, there has to be practice because "practice makes perfect..." and also brings injuries.  Going into details is not necessary but things have happened and well, see for yourself: I have a colleague that usually wears high heels, very high heels, and she doesn't walk on those high heels, she glides on them. How does she do it? I have no idea, but it is clear that it won't be me any time soon.  Let's hope for a quick recovery because we have a show in one month!

00040: SHOES! COSTUMES! AND MAKEUP! OH, MY!!!

Image
Measurements We had a costume fitting just a couple of weeks ago. The the fitting also included shoes, of course. It has taken me a while to post about this matter because the fitting, although exciting, was also a little bit of a disappointment. Don't take me wrong! The costume fitting fulfilled its purpose but the results were less than desirable.  I was excited about trying the different costumes and also nervous because what had been imagine the director's head and my head could and would look very different in reality.  After some laughs about undergarments and how to wear them I finally was able to get on my first costume. It look good, and I felt good about it too.  Colorful right? Well, this costume was costumed made for me and I got it while I was traveling in the state of Chiapas, Mexico. Colorful, a little heavy, and expensive. But it simply worked like a charm! One down, two to go! The next costume is what we area calling the "main costume." The character ...

00039: FIRST WEEK OF REHEARSAL

Image
Normally, rehearsals for a play take between four to six weeks, sometimes longer depending on the complexity of the production and the company's budget. A one-person show usually rehearses for a minimum of four weeks. However, due to the busy schedules of both the director and myself, the one-person show will only have two weeks of rehearsals. To complicate matters, the two rehearsal weeks will not happen consecutively. The first week of rehearsals already took place, while the second week will be six months later (in December.) The show will be presenting to an audience on December 8 & 9, 2023. One of my personal goals before starting the first week of rehearsals was to memorize the script, which is a challenge because my ability to memorize lines is not as sharp as it used to be. It's called "getting older." Surprisingly enough, by the end of the week, we did two full "run-thrus" of the show without a script on my hand.  This doesn't mean I did not...

00038: REVISITING THE ONE-MAN SHOW AGAIN!

Image
Before spending my sabbatical days in Italy learning about Commedia dell'arte, I was already working on a one-person show, also as part of my sabbatical. I spent six months writing a script and having dramaturgical meetings with a theatre director.  I wrote about   the development process  of the play and also about  the staged reading  in two different posts that were done before going to Italy. The stage reading of the play happened in December 2022 when I flew to Ohio to meet the director at his homeschool. After that reading, the project was put on the "back burner" because my time needed to be dedicated to preparing the sabbatical trip and the trip itself.  Now that the sabbatical trip has ended and I'm back home, the focus is on "wrapping up" the sabbatical, which includes working on the one-person show once again.  For five days, from 10 AM to 6 PM (with an hour break in between), the director and I will come together in order to "put the p...

00037: A COMMEDIA DELL' ARTE COURSE

Image
One of the main objectives of my sabbatical research is the creation of a new theatre course on Commedia dell'arte. Using the many resources I was able to find, the information I was able to collect, and the different theatre productions I was able to read, as well as other available academic sources regarding the subject matter, a class on commedia has been developed and submitted to the proper channels for evaluation and approval.  Once the class is approved, the class will be offered to the students, mainly to Drama majors and those interested in the theatre arts.  This class will have two main objectives: One of the goals will be to offer a history account of the development of Commedia dell'arte, from its origins to the present, while analyzing its influence on modern comedy. The other goal will give students the opportunity to explore physical movement and mask work in order to familiarize themselves with commedia dell'arte characters and physical comedy in general....

00036: DELL' ARTE ALUMNI CONVERSATION

Image
The following transcript is based on conversations with a closed friend who is an alumni from Dell'Arte International. Our conversations centered around her training and the benefits of it. The conversation has been edited for clarity and brevity.   --What made you decide to enroll in Dell'Arte International? I was applying to MFA programs and my college theatre director shared information about Dell'Arte with me. She suggested I audition as she believed it would be a good fit for me. One of the co-founders (of the academy) happened to be working as a resident artist near me an auditioned me herself. The process was welcoming and supporting from the beginning. I visited Blue Lake to tour the school and to meet some people there. I felt in love with the area and the program. I deferred traditional graduate school in order to to attend Dell'Arte. --What program were you in?  When I joined the school, they were in the process of obtaining accreditation for the MFA program....

00035: DELL' ARTE INTERVIEW

Image
The following conversation with Tony Fuemmeler (interim head of training programs) took place over zoom. The content has been edited for clarity and space. --What can you tell me about Physical Theatre training for the actor? In general, physical theatre offers a lot through the play of mask, a sense of specificity and clarity for the actor. Whether or not they (actors) play directly in the mask, or whether they ever find a mask again, physical theatre offers a window into physical storytelling, and also just an interest of the human condition and the human comedy. How we might understands some modes of the play for the actor as driven by the body and driven by a very visceral idea rather than by emotions or by a psychological idea. In commedia, it isn’t the psychology that drives the play, it is actually elemental forces, the drives and contradictions of human nature, which play at full force and rhythm, then collide and give us an opportunity to laugh at ourselves. --Let’s talk about...

00034: DELL' ARTE INTERNATIONAL

Image
Humboldt County is located in Northern California. Within Humboldt County, a very small town (population 1200 as of 2020 census) named Blue Lake is found. This town is located on the Mad River, 6 miles northeast of Eureka, at an elevation of just 131 feet.  Other than the fact that Blue Lake and its surrounding areas are the perfect get away spot from the hustle and bustle of the San Francisco Bay area, this small town is just another place most people have no idea it exists, and if they happen to stumble upon it, they quickly forget about it.  Hidden within its natural paradise full of red woods, however, a worldwide known commedia school is found. Originally known as "Dell'Arte School of Mime and Comedy, now known as "Dell'Arte International School of Physical Theatre," this institution was founded in Berkeley, CA back in 1971 by Carlo Mazzonne-Clementi and his wife Jane Hill. It wasn't until four years later, in 1975, that "Dell'Arte International...

00033: ARRIVEDERCI ITALIA!!!

Image
  Welp, my trip to Italy has ended! I had the best of times; I have the worse of times. But regardless of the experiences, I am in fact, very thankful for the opportunity to spend so much time in a country where trains are a marvelous way to travel.  Even though the trip is over, the sabbatical work continues. There is a few more things that need to be done. One more interview with an alumni from Dell'Arte International, the creation of a "Commedia dell'arte" class, and the rehearsals and presentation of the one-person show,  INTRODUCING MODERNA SUSPIROS.  There will be a few more blog posts on the rehearsal process (happening at the end of May) and then a couple of more posts on the production of the show, (happening at the beginning of December.) Officially, the sabbatical ends at the end of May. The sabbatical reports are due in October, and the show will be done in December. By the time everything is completely done, it will be December 2023, and an entire year w...

00032: IL DOTTORE DA BOLOGNA!

Image
From the museum The last commedia dell'arte character on my list is commonly known as IL DOTTORE, "The Doctor." His real name is "Il Dottore Balanzone" and he's from Bologna. He's part of the older generation of characters, "I Vecchi," (The Old Ones) and he's best friends with Pantalone, another "vecchio." Il Dottore  Balanzone is not a "medicine" man but rather a "Doctor of Letters," a man who has been educated in the first university in Italy and the oldest university in Europe: The University of Bologna. Il Dottore is "physically heavy" because of his knowledge, hence his name Balanzone, which derives from "balanza/bilancia," meaning both "balance" and "scale."  Although Il Dottore has many names, he has been worldly recognized as "Il Dottore Lombardy" thanks to Carlo Goldoni's famous play, "The Servant of Two Masters." However, in Bolonga he...

00031: VALLE BREMBANA; TERRA D'ARLECCHINO, PART II

Image
From the Internet If I ever doubted that Bergamo doesn't recognize Arlecchino, I only need to go to Villa d'Almè. Villa d'Almè is about 30 minutes from Bergamo and is the entry point from the north (coming from Switzerland) to the first major Italian city: Bergamo. The highway from the north converges with two others from the south (one from Bergamo, the other from Ponte San Pietro.) The conversion happens at the only major "rotatoria" (roundabout) in Villa d'Almé.   It is here, in this rotatoria, centrally located where the three main highways meet, that a 10-feet/18 ton statue of Arlecchino is found. The roundabout is knowns as "La Rotonda di Arlecchino." And Arlecchino stands in the middle of the roundabout with a very clear messages by its feet: "Valle Brembana; Terra di Arlecchino," (Brembana Valley, the land of Arlecchino.)  Personal Collection The statue is made of marble and was sculpted by Milanese artists Nicola Gladiardi. The sta...

00030: IL MANTELLO DI ARLECCHINO 2023

Image
As part of the Arts and Culture 2023 Festival going on between the cities of Bergamo and Brescia, one event, involving a commedia dell'arte character, is the "Arlecchino's Cloak Project," better known as "Il Mantello di Arlecchino," which concentrates on "Arlecchino's costume" rather than his mask.  This is an interactive installation and theatre piece put together by two international artists: Kaarina Kaikkonen (art installation) from Finland and Vero Cendoya (theatrical presentation) from Spain. TTB Pocket Theater of Bergamo is the hosting theatre for these two artists. The first step of the project is for the theatre company to go around the neighborhoods knocking on doors and asking residents to donate a "shirt" for the project. It doesn't matter the type, the size, or the color, what matters is that the shirt has a story. An added piece to this "donation" is asking the residents if they want to share the story. They...

00029: VALLE BREMBANA; TERRA DI ARLECCHINO, PART I

Image
I'm starting this post with a disclaimer. There is place in the Bergamo region that claims to be "Arlecchino's House" and also "Arlecchino's Museum." This place is known as "Casa Museo di Arlecchino."   The "house/museum" is located in the village of Oneta (San Giovanni Bianco), in the province of Bergamo. Oneta is located 35 miles north of Bergamo and one can either reach the village in a private car or by bus. By bus it takes 1 hr 40 minutes one way, so the total traveling time is 3 hrs 20 minutes. Because the house/museum is so far away, it is only open for a few hours on specific days and by appointment only.  The house/museum is located inside the Palazzo Grataroli. The palace, who is known by the locals as "Casa di Arlecchio" is linked to the Renaissance actor Alberto Naselli, who represented the Zanni and Arlecchino's characters in the main European courts, and whom, according to tradition, stay at the Palazzo. Ho...

00028: ARLECCHINO AROUND TOWN

Image
While Napoli embraces Pulcinella as part of its arts and culture, the entire region of Campagna also embraces the character as part of its popular pop culture. Bergamo, on the other hand, and the entire region have not made Arlecchino or Brighella part of their popular pop culture. And if you recall an earlier post, the majority of people do not considered Brighella a commedia dell'arte characters from Bergamo, at least not in the way they considered Arlecchino.  As I roamed the streets of both Cittá Bassa and Cittá Alta, I saw a few signs of Arlecchino's presence. And the few things that are there, are significant because, to me at least, they emphasize the importance of Arlecchino as a symbol of art, culture, and pride for the Bergamo region.  There is, for example, the "Dispensa di Arlecchino" restaurant. A famous eatery and a very difficult place to get in without a reservation. This restaurant is in Cittá Alta. The title translates to "Arlecchino's Food ...

00027: IL MUSEO DEL BURATTINO

Image
By the time I arrived in Bergamo I knew two things: 1) Arlecchino and Brighella are the two commedia dell'arte characters with roots in the city, and 2) somewhere in the city of Bergamo a statue to Arlecchino exist.  What I didn't know was that my arrival to Bergamo coincided with the 2023 Bergamo Brescia Italian Capital of the World Culture Festival. As soon as I knew of it, I quickly set out to figure out what theatre events, especially in relation to commedia dell'arte were happening. My search brought me to "The Puppet Theatre Museum," better known as "Il Museo del Burattino."  Here, I had the opportunity to learn the history of, and admire the many different types of hand puppets that had been created in the Bergamo region, along with learning about the invited Italian guests' collections representing China and Japan. The museum exists mainly thanks to La Fondazione Benedetto Ravasio and the collaboration of five other families from the Bergamo ...